Hum Dekhenge, or We Shall See – A Nazm by Faiz Ahmed Faiz

Hum Dekhenge (We shall see) is a popular Urdu nazm, written by the Pakistani poet Faiz Ahmed Faiz.

Originally written as Va Yabqá Vajhu Rabbika (And the countenance of your Lord will outlast all), it was included in the seventh poetry book of Faiz – Mere Dil Mere Musafir.

The nazm was composed as a protest against Zia Ul Haq’s oppressive regime. It gained a rapid cult following as a song of resistance and defiance, after a public rendition by Iqbal Bano at Alhamra Arts Council on 13 February 1986, ignoring the ban on Faiz’s poetry.

In the Nazm, Faiz employs the metaphor of traditional Islamic imagery to subvert and challenge Zia’s fundamentalist interpretation of them; Qayamat, the Day of Reckoning is transformed into the Day of Revolution, wherein Zia’s military government will be ousted by the people and democracy will be re-installed. (Source: Wikipedia)

Here it is with transliteration (scroll down for my favorite renditions).

हम देख़ेंगे
Ham Dekheñge
We shall see the day
लाज़िम है कि हम भी देख़ेंगे
Lāzim Hai Ki Ham Bhī Dekheñge
Inevitably, we shall also see the day
वो दिन के जिस का वादा है
Vo Din Ki Jis Kā Va.Ada Hai
That was promised to us, decreed
जो लोह-ए-अज़ल में लिखा है
Jo Lauh-E-Azal Meñ Likhkhā Hai
On the tablet of eternity
हम देख़ेंगे
Ham Dekheñge
We shall see the day

जब ज़ुल्म-ओ-सितम के कोह-ए-गरां
Jab Zulm-O-Sitam Ke Koh-E-Girāñ
When dark peaks of torment and tyranny
रूई की तरह उङ जायेंगे
Ruuī Kī Tarah Uḍ Jā.Eñge
Will be blown away like cotton fluff;
हम महकूमों के पाऒं तले
Ham Mahkūmoñ Ke Pāñv-Tale
When the earth’s beating, beating heart
ये धरती धङ-धङ धङकेगी
Jab Dhartī Dhaḍ-Dhaḍ Dhaḍkegī
Will pulsate beneath our broken feet;
और अह्ल-ए-हकम के सर ऊपर
Aur Ahl-E-Hakam Ke Sar-Ūpar
When crackling, crashing lightning
जब बिजली कङ-कङ कङकेगी
Jab Bijlī Kaḍ-Kaḍ Kaḍkegī
Will smite the heads of our tormentors;
हम देख़ेंगे
Ham Dekheñge
We shall see the day

जब अर्ज़-ए-ख़ुदा के काबे से
Jab Arz-E-Ḳhudā Ke Ka.Abe Se
When, from the seat of the Almighty
सब बुत उळवाये जायेंगे
Sab But Uthvā.E Jā.Eñge
Every pedestal will lie displaced;
हम अह्ले-ए-सफा मर्दूद-ए-हरम
Ham Ahl-E-Safā Mardūd-E-Haram
Then, the dispossessed we; we,
मसनद पे बिळाये जायेंगे
Masnad Pe Bithā.E Jā.Eñge
Who kept the faith will be installed
सब ताज उछाले जायेंगे
Sab Taaj Uchhāle Jā.Eñge
To our inalienable legacy.
सब तख़्त गिराये जायेंगे
Sab Taḳht Girā.E Jā.Eñge
Every crown will be flung.
हम देख़ेंगे
Ham Dekheñge
We shall see the day

बस नाम रहेगा अल्ला: का
Bas Naam Rahegā Allāh Kā
Each throne brought down.
जो गायब भी है हाज़िर भी
Jo Ġhā.Eb Bhī Hai Hāzir Bhī
Only His name will remain; He,
जो मंज़र भी है नाज़िर भी
Jo Manzar Bhī Hai Nāzir Bhī
Who is both unseen, and ubiquitous; He,
उळ्ळेगा अन-अल-हक का नारा
Utthegā Anal-Haq Kā Na.Ara
Who is both the vision and the beholder.
जो मै भी हूँ और तुम भी हो
Jo Maiñ Bhī Huuñ Aur Tum Bhī Ho
When the clarion call of ‘I am Truth’ (the truth that is me and the truth that is you)
और राज करेगी ख़ल्क-ए-ख़ुदा
Aur Raaj Karegī Ḳhalq-E-Ḳhudā
Will ring out, all God’s creatures will rule,
जो मै भी हूँ और तुम भी हो
Jo Maiñ Bhī Huuñ Aur Tum Bhī Ho
Those like me and those like you.

Glossary:

लाज़िम / Lazim – must/binding/certain
वादा / wada – promise
लोह / lauh – slate/tablet /title page
अज़ल / azal – eternity
लोह-ए-अज़ल / lauh-e-azal – slate of eternity (destiny)
ज़ुल्म / zulm – abuses/victimization/tyranny/oppression
सितम / sitam – injustice/oppression/tyranny
कोह / koh – mountain
गरां / garaan – massive/enormous
महकूम / mehkoom – enslaved/subject
अह्ल / ahl – people
हकम / hakam – ruler/master
अर्ज़ / arz – appeal/request
सफा / safa – clean/pure
मर्दूद / mardood – accursed/outcast/barred
हरम / haram – sanctum/holy site
मर्दूद-ए-हरम / mardood-e-haram – the faithful who were banished from Mecca to Medina
मसनद / masnad – throne
मंज़र / manzar – scene/view/visage
नाज़िर / nazir – spectator/overseer
अन-अल-हक / an-al-haq – I am the truth
ख़ल्क / khalq – creation

Here are audio and videos of Iqbal Bano’s live version, and a few other favorite versions along with a modernized Coke Studio rendition from season 11.

JPS Nagi
February 9, 2023

How to Learn Almost Anything, Part 5 of 5 – Mind

Links to all 5 parts in this series
How to Learn Almost Anything, Part 1 of 5 – Introduction
How to Learn Almost Anything, Part 2 of 5 – Time & Plan
How to Learn Almost Anything, Part 3 of 5 – Space & Goals
How to Learn Almost Anything, Part 4 of 5 – Consistency & Retention
How to Learn Almost Anything, Part 5 of 5 – Mind

Learning something new can be intimidating. With so much information out there, it can be hard to know where to start or how to approach the task of mastering a new skill. There is an efficient way to get started that often yields fast results. In this last post on this topic, we look at how our Mind and how our state of mental health will affect learning.

Mind, or Your Mental Health
If anything, the pandemic taught us that it is important to take care of your mental health. And this also applies to learning. Learning new skills can be an intimidating process, and it’s easy to get in our heads when we’re learning something new. It can seem like everyone else is so much better than us and that we will never measure up. When I am asked, I am not competing with anyone – I am competing with myself. I often ask myself this question to myself – What can I do to become a better version of myself? How can I be a better listener, or how can I play those difficult barre chords on my guitar?
Like anyone else, I get those negative feelings too. I found that there are ways to combat these negative thoughts and stay positive during the learning process. I often just stop what I am doing, and start cooking – which relaxes me. Find your relaxation and your comfort zone; go there, and do what you like. And come back with a fresh mind. I found that my actions are three-pronged.
First of all, it’s important to validate your (negative) feelings. It’s okay if you feel inferior or like you’re not good enough or never going to make it; those thoughts happen to all of us at some point during the learning process. Acknowledging that these thoughts exist is the first step towards overcoming them.
Secondly, it’s also important to remember that you’re not alone in this process. Everyone experiences self-doubt; even those who seem like they have their skill mastered have probably had moments where they felt like they weren’t good enough. Remind yourself that everyone has been where you are right now and that everyone experiences these feelings at some point in their life.
Finally, celebrate small wins. It is important and it helps us stay motivated throughout the learning process when we celebrate small wins along the way. Like singing that song you have been practicing – record it, and send it to your family, and friends. You will be surprised to hear back from them and how tough you have been to yourself.
I always look at how long I have come from when I started, or from last week. Sometimes, I call my mother and play that song that I have been practicing. She tells me how well I am playing. Find that support group among your friends and family. They will help you see your accomplishments and keep you motivated as you continue on your journey.
No matter how difficult or overwhelming the learning process may seem, it’s important to remember that everyone has gone through similar struggles and experienced self-doubt at some point during the journey. The key is staying positive and motivated by validating our feelings, knowing we’re not alone in our struggle, and celebrating every small win along the way! With this mindset, anyone can become an expert on any given topic with enough practice and dedication.

Conclusion
Next time you need to learn something new, use these techniques. By breaking down the task into small, manageable steps and then teaching it to someone else, you can quickly gain a deep understanding of the material. And this is a blueprint for you to adjust and make it your own.
What other methods have you used to efficiently learn new things? Share your tips in the comments below!

JPS Nagi
January 12, 2023

How to Learn Almost Anything, Part 4 of 5 – Consistency & Retention

Links to all 5 parts in this series
How to Learn Almost Anything, Part 1 of 5 – Introduction
How to Learn Almost Anything, Part 2 of 5 – Time & Plan
How to Learn Almost Anything, Part 3 of 5 – Space & Goals
How to Learn Almost Anything, Part 4 of 5 – Consistency & Retention
How to Learn Almost Anything, Part 5 of 5 – Mind

Learning something new can be intimidating. With so much information out there, it can be hard to know where to start or how to approach the task of mastering a new skill. There is an efficient way to get started that often yields fast results. In part 4 of this journey, we look at how Consistency and Retention Strategies can help your learning growth.

The Power of Consistency and Discipline
We all have goals we want to achieve. But sometimes it can feel like a daunting task even when you know where to start. You need motivation and discipline to create sustained success in the long run. Let’s talk about why consistency and discipline are important, and how they can help you reach your goal. The foundation of any successful goal is having a strong “why” behind it; finding out why you want to do something is the first step in reaching that goal. Your “why” should be bigger than just yourself and should make you excited for the journey ahead. Having a clear understanding of why your goal matters will help you stay motivated when things get hard.
When I started playing the guitar, I did two things. Once I placed the guitar on a stand in my office, so I can just turn and pick it up and strum it; and two, I would make sure I do pick it up, every day, multiple times a day. In the current world where we all have limited time and patience, we easily give up. Sometimes we give up when we tackle something hard.
Motivation is great, but it won’t always be there – that’s why discipline is so important in achieving success. It’s like building muscle; the more victories you have on days where motivation is lacking, the stronger your ability to handle those days will become. And if you mess up one day, don’t let it derail all your progress – one mistake shouldn’t define your success or failure. Consistency and discipline are about embracing mistakes as part of the learning process, and using them as an opportunity for growth!
Another key element to reaching success with consistency and discipline is having a plan that works for your lifestyle and schedule. Make sure that whatever plan you come up with fits into your daily routine – this way it will be easier for you to stick with it in the long run! It can also help if you break down larger goals into smaller chunks; this will allow you to track your progress more easily, making each task more manageable along the way.
Consistency and discipline are essential when working towards any goal – big or small! Find out what drives you, break down larger goals into smaller tasks, create a plan that works for you, and use mistakes as an opportunity for growth! With consistency and discipline by your side, anything can be achieved!

Improve Your Retention and Learning Abilities
Retention is an important part of learning; it allows us to remember information and use it to our advantage. However, it can be difficult to retain information if we don’t have the right strategies in place. Let us look at three strategies that you can use to improve your retention and learning abilities.
The first strategy is doing a cursory pass of learning – it could be watching a video from start to finish, going over the notes from your class, or just looking at all the chords, and progressions from your guitar instructor. Go from start to finish without any distractions. Get an understanding of the material, which will make it easier for us to retain the information later on. This helps you understand what are you learning.
Take a break, and start the next step in the process. And this time, taking copious notes while watching the video. I also read them aloud in my voice; it helps me internalize the concepts. Or when I write in my hand, I tend to learn more quickly.
The second strategy is to practice as much as possible. Practicing helps you solidify your knowledge by giving you hands-on experience with the material. If you’re trying to learn something new, try practicing it as often as possible until you feel comfortable with it. This will help ensure that you not only understand the concept but also have a better chance of retaining it in the future.
The third strategy is repetition. Repetition helps us commit information more firmly into our memory because we are constantly revisiting and reinforcing it. If you want to make sure that you remember something, try repeating it multiple times throughout your day or week so that it sticks with you better over time.
By implementing these three strategies—watching tutorial videos, practicing as much as possible, and repetition—you can significantly improve your retention and learning abilities. These tactics will help ensure that you remember what you learn more easily and can use it effectively going forward. So why not give them a try today? You may just surprise yourself at how much easier retaining new information becomes!

JPS Nagi
January 12, 2023

How to Learn Almost Anything, Part 3 of 5 – Space & Goals

Links to all 5 parts in this series
How to Learn Almost Anything, Part 1 of 5 – Introduction
How to Learn Almost Anything, Part 2 of 5 – Time & Plan
How to Learn Almost Anything, Part 3 of 5 – Space & Goals
How to Learn Almost Anything, Part 4 of 5 – Consistency & Retention
How to Learn Almost Anything, Part 5 of 5 – Mind

Learning something new can be intimidating. With so much information out there, it can be hard to know where to start or how to approach the task of mastering a new skill. There is an efficient way to get started that often yields fast results. In part 3 of this journey, we look at advantages of a Distraction Free Space and Setting Realistic Goals for yourself in your learning journey.

Distraction Free Space
It’s no surprise that distractions are a major hindrance to our productivity. Whether it’s the urge to check our phones, notifications from social media, or even simple things like leaving the window open and hearing cars go by, distractions can have a huge effect on our ability to focus and learn.
Removing distractions is important because it allows us to focus on one task at a time. When we try to multitask, we end up jumping from task to task without completing any of them. This results in wasted time and energy that could have been better spent focusing on just one task at a time. Additionally, when we are constantly bombarded with distractions, our concentration decreases over time and it becomes harder for us to focus on what matters most.
The first step in removing distractions is being aware of them. Our smartphones are smart enough to give us that weekly summary of how we spend our time on our phones. I encourage you to check it out. See how much time you spend on social media, productivity, or entertainment apps. They are important, but be aware of them. Spend some time analyzing what triggers your distraction; are notifications popping up on your phone? The sound of people talking outside? Once you identify these triggers, you can work towards eliminating them or finding ways around them. Most phones nowadays allow you to have focus options when you are driving and sleeping. Create your custom focus options for learning (and even one called work). Configure it so you do get notifications when sent by your VIPs. Silence everything else. If noise distracts you, invest in noise-canceling headphones or close the windows in your study area. There are many options available in the market, and I use them often.
The second step is setting boundaries for yourself – both physical and mental boundaries – so that you can protect yourself from getting distracted easily. Make sure that the environment around you helps you stay focused. For example, I also turn off applications or even turn off secondary monitors for my home office setup and avoid activities that will take away from my concentration.
Removing distractions and setting boundaries are key elements of optimizing learning processes for many individuals today. By being aware of potential triggers and taking intentional steps towards eliminating those triggers (or finding ways around them), we can create environments where optimal learning takes place without interruption or distraction from outside sources. Even if it takes a while, I can tell you, you will be able to train your mind to get there.

Setting Realistic Goals
It can be overwhelming at times, but if you take the time to set realistic goals for yourself, you can break down bigger objectives into manageable steps that will help you feel productive and satisfied with your progress. Let’s look at how taking small steps can help you reach big goals.
The first step in setting realistic goals is to start small. Instead of setting an exorbitant goal like reading five hours a day, break it down into smaller chunks such as reading for 30 minutes every morning. This way, you can focus on making incremental progress without feeling overwhelmed or discouraged by a huge goal that seems impossible to achieve. Starting small also helps build confidence and momentum as you start accomplishing your daily tasks, which will encourage and motivate you to keep going until the larger goal is reached.
Another important factor when setting realistic goals is flexibility. Not everything will always go according to plan and there will be days when things don’t work out as expected. When this happens, don’t beat yourself up; instead, adjust your goals accordingly so that they are still achievable within the timeframe you have set for yourself (or even earlier). This will help prevent burnout while still keeping you on track toward reaching your objectives. Don’t be afraid to take a break, clear your he because that is equally important (we will cover that in the Mental Health post).
Finally, stay motivated! Remind yourself why these goals are important and what the result will bring when they are achieved—this could range from improving your job prospects or gaining new skillsets—and celebrate each milestone along the way no matter how small it may seem. Staying positive and focused on what lies ahead, not only will it make reaching those bigger goals easier but it will also give you something to look forward to each day!
Setting realistic goals is key to staying productive and motivated throughout the day/ week/ month etc. Start small by breaking down larger objectives into manageable tasks that won’t overwhelm or discourage you too much. Be flexible when things don’t go according to plan and adjust your goals accordingly so that they remain achievable within a certain timeline or even earlier! Finally, stay motivated by reminding yourself why these goals are important and celebrating each milestone no matter how small it may seem. With these tips in mind, turning big ideas into reality can be simpler than ever before! I set a goal of reading for 60 minutes throughout the day. It can happen in the morning, or late in the evening, or it could be 10 minutes spread throughout the day.

JPS Nagi
January12, 2023

How to Learn Almost Anything, Part 2 of 5 – Time & Plan

Links to all 5 parts in this series
How to Learn Almost Anything, Part 1 of 5 – Introduction
How to Learn Almost Anything, Part 2 of 5 – Time & Plan
How to Learn Almost Anything, Part 3 of 5 – Space & Goals
How to Learn Almost Anything, Part 4 of 5 – Consistency & Retention
How to Learn Almost Anything, Part 5 of 5 – Mind

Learning something new can be intimidating. With so much information out there, it can be hard to know where to start or how to approach the task of mastering a new skill. There is an efficient way to get started that often yields fast results. In this post we will explore the idea of Creating Time and Having a Structure or a Learning Plan.
Create Time
The very first thing you need to learn anything new is time. Some of us have a lot of time, while others have no time throughout the day. However, if you look at it, you may be able to find a little bit of time here and there. And you should be very cautious about giving because you are not getting any of it back – protect it at all costs.
I (used to) have a very short commute to work, and I enjoy reading. I combined the two and started listening to audiobooks on my way to and from work. most of the time, I would even come home for lunch. So roughly four 10-minute trips a day, means that I would have read for 40 minutes every day (an hour if you like to listen at 1.5x speed).
Find time, even if it is a small amount, in between meetings, during lunch hour, and spend it on what you wish to learn. In the beginning, those small 10 minutes may not seem a lot, but I was finishing a short book every week, and a long one in 2 weeks, by just listening on weekdays.

Have a Structure or a Plan
When it comes to learning something new, structure is your friend.
Something I learned the hard way when I started to learn to play guitar. Having not even touched one before, I started watching multiple YouTube videos for beginner guitar players. I was not making progress, and there was a reason for that. First, I was moving from one teacher to the other and each tutorial video approaches learning differently. I was moving from one method to the other. Second, having learned a couple of chords, what was the next chord to learn? There was no structure in my learning.
A structured approach will give you direction and focus, helping you stay on track and avoid feeling overwhelmed by too much information. Having guidance from an expert in the field also means that you are more likely to learn the material correctly from the beginning, which will save time and effort when building on what you’ve learned later on down the line. Additionally, having someone else provide structure for you in terms of assignments and deadlines can help keep you motivated and accountable for your progress, as well as give you a sense of accomplishment as you work through each step in the process. This can be especially helpful if your goal is to learn something quickly; breaking up the process into manageable chunks with clear milestones makes it easier to stay focused and motivated while working towards your end goal.
The way to fix that is to either find a professional or a guide, who can help provide a structure. If you are going to use something like YouTube, then find a single learning source and just follow through with that. In my case, if I would have followed only one of the guitar teachers, that would have given me the structure I needed to make better progress. I got myself a guitar instructor and he provided me with the structure I made more progress in the first week with him than I had in a month learning on my own.

JPS Nagi
January 12, 2023

How to Learn Almost Anything, Part 1 of 5 – Introduction

Learning something new can be intimidating. With so much information out there, it can be hard to know where to start or how to approach the task of mastering a new skill. There is an efficient way to get started that often yields fast results. In this piece, I have outlined how I learn a new skill, and many times what I have not done before.

As soon as the pandemic hit, I got a sense that we are in this for a while. Like so many others, I felt boxed in. The boundaries of work and life were getting fuzzy. I missed that human connection with my colleagues and friends. I saw my kids also feeling down in the new world order. I sat down and created a list of everything that I wanted to do, to learn if I had the time. That list had close to 27 different items, like learning to play guitar, how to draw or paint, learning and master unique recipes, learning to read and write Tengwar, and starting to write my book. I did accomplish some of the items from that list. Along the way, I started to find the commonalities between various items on my list. Which can be seen as a blueprint for my learning and growth journey. I have used this as a blueprint often when I tackle the next thing I am going to learn.

Come with me on a journey on how to learn almost anything.

Links to all 5 parts in this series
How to Learn Almost Anything, Part 1 of 5 – Introduction
How to Learn Almost Anything, Part 2 of 5 – Time & Plan
How to Learn Almost Anything, Part 3 of 5 – Space & Goals
How to Learn Almost Anything, Part 4 of 5 – Consistency & Retention
How to Learn Almost Anything, Part 5 of 5 – Mind

JPS Nagi
January 12, 2023

Lord of the Rings: Rings of Power – Reading Recommendation

With the release of the Amazon Prime show “The Lord of the Rings: Rings of Power” many people are looking to return to, or start reading, the books that started it all. Of course, the main books are The Hobbit, The Lord of the Rings trilogy, and The Silmarillion. Then there are others like the Unfinished Tales. For those who wish to dig deeper into the core of the Middle Earth lore, you have the 12-volume The History of the Middle Earth and the new The Nature of the Middle Earth.

If you are familiar with the material, I have seen a reference guide put together to get you up and running quickly. Below is the list of essential reading to understand the Lord of the Rings: Rings of Power story.

Please do note that the showrunners have rights to limited material from the Tolkien Estate, and the histories (from The Lord of the Rings appendices) do not always tell a story. In order to tell a cohesive story, there are some original characters introduced, timeline compressions, and other adjustments made for the medium of television. In my opinion, I am glad I am living in an age where an attempt is made to bring the world to this medium to bring new people to the journey through the Middle-Earth.

Without further adieu, here is your reading list,

The Lord of the Rings:

  • Volume 1, Book 1, Chapter 2: “The Shadow of the Past“
  • Volume 1, Book 2, Chapter 2: “The Council of Elrond“
  • Volume 2, Book 4, Chapter 5: “The Window on the West“
  • Appendix A, “The Númenorean Kings“
  • Appendix A, “Durin’s Folk“
  • Appendix B, “The Second Age“
  • Appendix D, “The Calendars“
  • Appendix F I, “Of Men“

The Letters of J.R.R. Tolkien:

  • Letter 131
  • Letter 144
  • Letter 154
  • Letter 181
  • Letter 211
  • Letter 227

The Silmarillion:

  • Part 4: “Akallabêth: The Downfall of Númenor“
  • Part 5: “Of the Rings of Power and the Third Age“

Unfinished Tales:

  • Part 2, “The Second Age“
    • II “Aldarion and Erendis: The Mariner’s Wife“
    • III “The Line of Elros: Kings of Númenor“
    • IV “The Historv of Galadriel and Celeborn“
  • Part 4,
    • I “The Drúedain“
    • II “The Istari“
    • III ‘The Palantíri‘

The History of Middle-Earth:

  • Volume 5: The Lost Road
    • Part 1 The Fall of Numenor.
  • Volume 9: Sauron Defeated
    • Part 2 The Notion Club Paners
    • Appendix on Adûnaic, the language of Númenor
  • Volume 10: Morgoth’s Ring
    • Part 4, Athrabeth Finrod ah Andreth
  • Volume 12: The Peoples of Middle-earth
    • Part 1, Ch. 5. The History of the Akallabêth”
    • Part 4 Ch. XVII Tal-Elmar

The Nature of Middle-earth:

  • Part 1, Chapter XVII
  • Part 3
    Many chapters touch on Second Age, directly or indirectly in part 3

There are few things as rewarding as losing yourself in a great book series. With its expansive worldbuilding and complex characters, Tolkien’s Lord of the Rings trilogy is one of those series. If you’re planning on binge-watching the television adaptation or are just looking for background material to expand your knowledge of the lore of the Middle-Earth, you can’t go wrong with the above list.

Happy reading! And Happy Watching.

Update:

J.R.R. Tolkien’s The Fall of Númenor: And Other Tales from the Second Age of Middle-earth book by Brian Sibley & Alan Lee was released on November 15, 2022. You can get it from the link above.
In this book, editor Brian Sibley has assembled a single-volume chronicling the history of the Second Age of Middle-earth. It is told in the words of Tolkien from above mentioned as well as other published texts, includes new illustrations in watercolor and pencil by Alan Lee.
Brian Sibley has also added extensive footnotes and commentary throughout the book.
This is the one book to rule them for the Second Age History of Middle-Earth.

JPS Nagi
Sept. 6, 2022/ Updated Nov. 20, 2022

Picking Your Next Guitar – Body Size & Playing Style (Part 3 of 3)

The body size of a guitar has a direct impact on the sound it produces. A smaller guitar body will produce a brighter, thinner sound, while a larger guitar body will produce a warmer, fuller sound. This is due to the fact that larger guitars have more air volume, which leads to longer sustain and more low-end frequencies. Additionally, the shape of the guitar body also plays a role in its sound. For example, a dreadnought guitar (a very popular style of an acoustic guitar) has a large body with rounded shoulders and a powerful bass response.
To better understand how body size affects the sound, let’s break down the common types of guitar body sizes, starting with smaller to larger body sizes (or sound boxes).

  1. Baby or Parlor
  2. 00
  3. 000
  4. Om or Orchestra Model
  5. As or Grand Auditorium
  6. Ds or Dreadnought
  7. Sd or Slope Shouldered Dreadnought
  8. Js or Jumbo

Small-bodied guitars (Baby, 00, and 000) are typically not as loud as their larger counterparts, but they offer a brighter, more articulate sound. These guitars are great for players who want to be able to hear every note they play clearly. Small-bodied guitars are also very comfortable to play, making them a good choice for players with a smaller frames. Small-bodied guitars are that they are great for projecting focussed sound. They are very bright sounding with distinct highs and lows which makes them perfect for fingerpicking, as each note makes a distinct and clear sound. Examples of small-bodied guitars include the Martin 000c and the Taylor Baby BT2.

Medium-bodied guitars (Om, As) strike a balance between volume and comfort. These instruments are not as loud as large-bodied guitars, but they’re still plenty loud enough for most gigging situations. Medium-bodied guitars offer a warm, well-rounded sound that is great for all genres of music. They are the best of both playing styles – the finger-picking sounds of small-bodied guitars and chord playing in larger-bodied guitars. When paired with some unique woods and construction, they can really emulate the sound profile of both of them. Examples of medium-bodied guitars include the Gibson J45 and the Guild D150ce.

Lastly, the Large-bodied guitars (Ds, Sd, and Jumbo) are the loudest and most powerful type of guitar. They have a deep, commanding sound that is perfect for rock and metal music. These guitars can be quite expensive, so they’re usually only purchased by experienced players who know exactly what they’re looking for in an instrument. They are also more suitable for chord players, who want a resonating sound. Jumbo size is the largest size of the guitar. Often, 12-string guitars are Large-Bodied. Examples of large-bodied guitars include the Gibson Les Paul and the PRS Custom 24.

The size of your guitar’s body plays a significant role in shaping its overall sound. If you’re looking for a bright, articulate tone, then a small-bodied guitar is the way to go. If you want a warm, well-rounded sound, then you’ll be better off with a medium-bodied guitar. And if you’re looking for a powerful, aggressive sound, then you’ll need to purchase a large-bodied guitar. No matter what type of sound you’re going for, there’s definitely a guitar out there that will suit your needs!
And always, trust your ear!

JPS Nagi
Sept. 19, 2022

Picking Your Next Guitar – Choosing Woods (Part 2 of 3)

Timber is essentially the xylem of a tree – cells that transport water and minerals from the roots to the leaves. The structure of these cells has a direct impact on the hardness, density, and weight of the resultant wood. Different species of tree will have different growth patterns which will in turn result in timber with different acoustic properties.

For example, Sitka spruce trees have straight trunks with relatively few branches. The grain is tight and even, resulting in light and stiff timber – perfect for building guitar tops! On the other hand, mahogany trees have a more irregular growth pattern, resulting in timber that is heavier and has a more open grain structure. This makes it less suitable for guitar tops but perfect for constructing the bodies and necks of instruments.

Different timbers will produce different tones when used in construction. For example, instruments built with cedar tops tend to have a warmer sound whereas those built with spruce tend to be brighter. Ultimately, it’s up to the builder (or player) to decide which sonic characteristics are most desirable. Some timbers are better at absorbing low frequencies than others. This means that if you want your guitar to have a warm, rich sound, you should look for timber with good low-frequency absorption. Other timbers are better at reflecting high frequencies, giving your guitar a brighter, crisper sound.

Here is a great example of Breedlove Guitars infographic on tone and frequency response for various kinds of wood.

The table below reveals how different aspects of wood manifest themselves with tone.

Property Impact On Sound
Density The absorption of energy from strings is affected by density and type. “Denser” woods like basswood will absorb more than lighter ones, but still not as much so that you can escape its sound completely even with light gauge instruments such as flute or clarinet; however if playing in dense timbers it may be best to take up your options earlier since this timber does provide less “resistance” which means stronger influence came directly out wood itself rather then being absorbed first before reaching our ears via microphone.
In general, harder woods are more absorbent and thus produce a brighter-sounding mid-range with quicker decay. Mahogany is an example of this trend as it has very little density compared to other species such that vibration ends up being easily dissipated through its fibers making them warmer on audio systems rather than harsh like harder juniper trees might be perceived at first glance when listening without context or knowledge about how different kinds affect tone.
Hardness Hardness is an essential component of a guitar’s sound. The higher the frequencies, the harder and more brittle the material seems to be on its surface – this accentuates those notes by making them stand out from other instruments in comparison with your voice or keyboard playing for instance!
As you can imagine there isn’t always agreement among musicians about what exactly “hard” means so we’ll just go ahead & say that these two terms refer differently when talking physics-related stuff here at Guitar Center.
Flexible Strength Spruce, has been found by scientists and musicians alike as being one the most commonly used tonewoods for violins because it produces clearer audio with greater volume than other woods such as cedar or redwood does; making them more popular among professionals who need those qualities while performing on stage
In order words: Stronger flexible timbers receive energy from strings producing a wide dynamic range–great clarity & projection

When choosing the right timber for your guitar, it’s important to keep in mind what sound you’re trying to achieve. If you’re not sure what sound you want, we recommend trying out a few different types of timber until you find one that you like. Here are a few of my favorite timbers for building guitars.

Spruce:
Easily the most commonly used top wood for acoustic guitars and classical guitars. When compared to Cedar (another commonly used soundboard timber), spruce is lighter and possesses greater flexible strength resulting in a wider dynamic range and bright, responsive tone.

Cedar:
Cedar (a member of the Mahogany family, sometimes referred to as Indian Mahogany) is a softer wood than spruce and as a result produces a warm tone, darker, and more complex sounding in comparison.

Walnut:
A medium-density tonewood. Walnut produces a warm, airy, woody tone similar to African mahogany with fewer overtones and more of a focus on the prominent mid-tones. It has a very even dynamic range, meaning it doesn’t accentuate one frequency band over another, resulting in a very balanced sound.

Mahogany:
Mahogany is a great all-rounder when it comes to acoustic properties. It has good low-frequency absorption and good high-frequency reflection, which gives it a warm, balanced sound. Mahogany is also relatively soft, which makes it easy to work with.

Maple:
Maple is another great all-rounder, but it tends to lean more towards the brighter side of the spectrum. Maple has good high-frequency reflection and fair low-frequency absorption. This gives it a crisp, clear sound that is great for all styles of music.

Rosewood:
Rosewood is one of the most popular choices for guitar builders thanks to its rich, full sound. Rosewood has excellent low-frequency absorption and good high-frequency reflection. This makes it great for genres like blues and jazz where a warm, resonant tone is desired.

There are many different types of timber available for use in guitar construction, and each type has its own unique set of acoustic properties. Most hardwoods are unsuitable for soundboard construction. The density of the wood requires too much energy to resonate and has a dull-sounding box, except for Mahogany. Softwoods are not suitable either because they simply wouldn’t have the strength to handle the tension from the guitar’s strings, except for Spruce which is commonly used for acoustic guitar soundboard. The woods used in the construction of the neck, the back, and the sides contribute to the sound of the guitar.

When choosing the right timber for your guitar, it’s important to keep in mind what sound you’re trying to achieve. Set some time aside, play as many guitars as you can, and always trust your ear!

JPS Nagi
Sept. 13, 2022

Picking Your Next Guitar – Tone, Response & Body (Part 1 of 3)

My biggest challenge was to find a guitar with the sound I wanted. When I started, I would explain the type of sound I wanted was louder and bass-ier. As I played with the guitars at multiple stores, I realized I preferred a guitar that was brighter, louder, and more resonant.
In this article, I am sharing how I came to trust my ear, and look at other aspects of selecting the guitar – Tone, Frequency response, and Body Style & Construction. Before we talk about how to select a guitar, let us understand each of these aspects.

Tone
The first thing you should think about when choosing an acoustic guitar is the tone. When we talk about tone, we’re referring to the overall sound of the guitar. Different woods produce different tones, so it’s important to pick a guitar that has the right tone for your style of music. For example, if you want to play country music, you might want an acoustic guitar with a brighter, twangier sound. Or, if you’re into folk music, you might prefer a mellower tone. There are lots of ways to test out an acoustic guitar’s tone before you buy it. You can listen to audio samples online, or even better, go into a store and play the guitars yourself. Pay attention to how each one sounds and see which one feels right for you.

Frequency Response
Another important factor to consider when choosing an acoustic guitar is frequency response. Frequency response is basically how well a guitar can reproduce different frequencies of sound. Some frequencies are going to be more important for your style of music than others. For example, if you play a lot of chords, you’ll want a guitar with a good low-frequency response so that all of the notes in your chords sound clear and distinct. On the other hand, if you do a lot of lead playing with single-note melodies, you might want a guitar with a good high-frequency response so that your notes have a nice “sparkle” to them.
Once again, the best way to figure out whether an acoustic guitar has a good frequency response is to either listen to audio samples or go into a store and play the guitar yourself. Listen for things like clarity and balance across all frequencies—you should be able to hear all of the notes clearly without any one frequency being too overpowering.

Here is a great example of Breedlove Guitars infographic on tone and frequency response for various kinds of wood.

Body Style and Construction
Besides the tone and frequency response body style & construction play a very important role. Acoustic guitars come in a variety of shapes and sizes, from small parlor-style guitars to large-bodied jumbos (or Dreadnaughts). The type of body you choose will have a major impact on the instrument’s sound. For example, smaller-bodied guitars tend to have a tighter, more focused sound, while larger-bodied guitars have a richer, more resonant sound. The size of the sound chamber (part of the body size & construction) affects your playability. You’ll want to make sure that the acoustic guitar you choose is comfortable and easy to play. A large-bodied Dreadnaught guitar would have you reach out for strumming and may not be comfortable for long playing sessions. A guitar with a low action (the distance between the strings and the fretboard) and smooth, comfortable fretboard edges will also add to the playability. Do you need a narrow or wide neck; typically, beginner players do better with narrower necks since they’re easier to maneuver around; at the same time if you have larger hands, then consider a wider neck.

A great example is Taylor’s V-Class Bracing which helps make the guitar louder, and sustains the notes longer, with better intonation of each.

Another aspect of construction is the different materials used in construction – laminate, highly compressed laminate, carbon fiber, and real wood. Other than real wood, man-made materials are easier to maintain and do not get affected by temperature and humidity. Real wood requires more caring, and, in my humble opinion, also sounds better. Man-made materials are generally budget-friendly (except for some exotic carbon fiber guitars). Real wood guitars can be expensive; even higher if there are no joints in the body.

How to pick your next guitar

  1. Avoid boxed guitars from departmental stores or online stores. You do not know what you will get. It’s a gamble.
  2. Set some time aside to visit local stores and play the guitars. Go visit the local guitar stores, and play the guitars, even if you do not know how to play the guitar, just strum the strings and hear how the guitar sounds. Your ear is going to be the best judge of what you want.
  3. Have a budget. You can buy a guitar from $50 to $2,00,000. And you will always end up buying a guitar higher than your budget. According to the local guitar store Salesperson, typically folks end up spending 20-25% more than their budget. Be aware of that. When you go visit the guitar stores, share your budget range with the Salesperson, they will help you find the guitar you like.
  4. Consider a pre-owned guitar. A very budget-friendly option, look at local listings or visit local stores that carry pre-owned guitars. In general, a pre-owned guitar can have two advantages. First, if it has been played, then the material (especially wood) has opened up and will sound better than the same model brand new. Second, more than half of the guitars listed online are well taken care of. You may end up buying a nicer guitar for a much lower price.
  5. Avoid guitars with bundled accessories. Stores would generally tell you that a particular guitar bundle includes a stand, a tuner, a case, etc. Do not fall into that trap. All the accessories will cost you under $100 (maybe slightly higher with a hard case). Stores will sell you an inexpensive guitar by bundling all this and charging you a lot more.
  6. Custom Guitar. One can always work with the local craftsmen and get to design a custom guitar. Custom guitars do not need to break the bank, there is a whole range of getting a guitar built the way you want. You can get exactly what you want along with embellishments to truly and uniquely yours.
  7. DYI Kits. Yes, there are kits available, and you can customize, pick the right components, and woods build one yourself. You need to put in some elbow grease and it is recommended for those who have intermediate woodworking, painting, and finishing knowledge.

In conclusion, with so many factors to consider, choosing the right acoustic guitar can feel like a daunting task – but it doesn’t have to be! By keeping body style, construction, tone, frequency response, action, and playability in mind, you’ll be well on your way to finding an instrument that’s perfect for your playing style. And always trust your ear.

JPS Nagi
Sept. 10, 2022