Punjabi

Ishtihaar (Ikk Kudi) by Shiv Kumar Batalvi – Guitar Chords with Translation

Shiv Kumar Batalvi’s poetry stands for it’s heightened passion, separation and lover’s agony. He is indeed Birha da Sultan – the king of separation of a beloved. He has dived into the abyss of pathos and put it in words that have inspired both the lovers and the lovers of Punjabi language.

The beauty of Shiv’s poetry is the simplicity of his words at the surface but pack a punch at a deeper level that has few rivals in the language. At an age of 30, he became the youngest recipient of Sahitya Akademi Award, a literary honor by India’s National Academy of Letters, Sahitya Akademi.

For more than 4 decades, his poems have attracted the singers with his poignancy and emotions. Each one has sung his poems with welled eyes to varied music genres. From acapella version by Shiv himself (check my blog here) to modern renditions, every singer has brought their own style, music, and flavor to his poems.

A few months back, as I started to pluck the strings of the guitar, once again Shiv’s poetry beckoned and I looked up to a more modern rendition of my all-time favorite poem – “Ishtihaar“. It is also sometimes called “Ikk Kudi“. The song has been arranged in musical notes by likes of Rabbi Shergill, Hans Raj Hans, and classic, Mahender Kapoor’s version. I had to find a version that a novice guitar player like me could play easily. And I found just the one from the movie Udta Punjab. It is sung by Diljit Dosanjh, with music by Amit Trivedi.

This version attracted me for a number of reasons – the simplicity of music arrangement, modern guitar chords, and of course Shiv’s poetry. As I started dissecting the song, I found that there was not a perfect version that I can play. So I had to create chords for it first before any strings would vibrate on the guitar.

With this blog post, I am sharing the chords for the song along with the English translation of the same.
Download printable version of the chords for the song from Udta Punjab.
Enjoy playing this on a guitar.

JPS Nagi
December 2018

Punjab 1984 – Ballewood Arrives !!!

Finally, punjab-1984I watched Punjab 1984. And here is what I think of it. This is an intense movie. The performances were good. There is a triangular conflict in the movie; Diljit shows great potential as an actor in the new generation. Pawan Malhotra, who is main antagonist in the movie, fits the role like a glove; his grins, smiles and expressions makes you hate the character, which shows how good job he is doing with the role. And the third apex of the triangle is played by Kiron Kher as a mother; she pretty much carries the movie on her shoulders. She is relatable as a mother, and portrays a very complex role with ease of an experienced actress (which she is). Diljit and Kiron’s scenes of a other-son bond are a treat to watch. The dialogues are very well written – they work at the surface level and also at a deeper emotional level. I also loved how the writers treated the story; the topic is extremely sensitive, and the treatment is excellent – instead of targeting a group, religion, or pointing fingers, it is a human story – rising above the limits and boundaries. It is a story of a mother looking for her son, who because of circumstances ends up at odds with the then prevalent law of the land. The story moves back and forth in time with flashback, which are very well edited.  It is a coming of age story of a son, who makes some choices under circumstances, and traces his path to redemption. It is the story of a man cornered, and how he stand against the ones who cornered him. If you are one of those folks who do not like the fact that Indian movies have music where the whole casts stops and start lip syncing to the song and dance to the tune, then you are in for a treat. Music of this movie adds layers to this movie. The songs are playing in the background, and they take the story forward. They are all situational, and most of the time, you will not even realize that you a song just started. They are essential and compliment the progression of the story. Watch out the lyrics for Swaah Ban ke, Lori and Ammi Udeek Di – they bring the sensitivity of poetry to this movie. they will bring a year or two to your eyes. The lighter songs Channo, Rangrut keep the happier parts of the story happy. Kudos to the music directors; yes there are few. And then there is Anurag Singh, the director. I have to say, I am impressed. He has proven to be one of the better directors in Punjabi Film Industry and deserves all the laurels to get the kind of performances he got out of the actors, and to keep the heart of the movie alive throughout on such a subject. With this movie he proves his range from being able to handle movies like Jatt & Juliet series (which were OK, I think) to a serious drama like Punjab 1984; and he does not misses a beat. This is his crowning glory so far. The movie is intense, emotional, and a tear jerker. Get ready with those tissues, and think about the questions raised by this movie, which are many. Lastly, story, scenes, and cinematography reminded me of Maachis (another well rounded director Gulzar) throughout the movie. It feels like either a homage in style or deeply inspired by it. I had to go look for the Maachis DVD after watching Punjab 1984. All in all it is good movie. I would call it 9/10 on the scale of good dramas. Go watch it ! JPS Nagi July 2, 2014

Patangbaazi & Rau di Kheer

lohri-festivalBeing brought up in the northern part of India, brings back fondest memories of Patang-Baazi (Kite Flying Competitions) and Rau-di-Kheer (Sugarcan Rice Pudding) to mind during early parts of January – along with the great festival of Lohri.

Punjabis, irrespective of their religion, continue to practice their Punjabi Folk Religion. Respect to the seasons and the natural elements of fire, wind, water and the earth is very important. Among such rituals, is Lohri – a festival celebrated on January 13. It is dedicated to the end of the Winter season in northern part of India. The day is also believed to mark the end of the winter solstice month, arrival of spring, and beginning of the Spring Harvest season.

The last day the month (per Indian calendar) is January 13, and the sun transition into the zodiac sign of Cancer (Makar) on January 14. Makara means Capricorn Zodiac Sign and Sankranti means transition of the Sun from one zodiac sign to another. The festival, called Makar Sankranti in southern parts of India, is the day that marks the transition of the Sun into Makara Rashi (Capricorn Sign) on its celestial path.

The atmosphere is electrifying during the festival. The celebrations involve the friendly kite flying competition in northern India, during the day. During dusk, the families gather around the bonfires, and sing folk songs eating tiny sugar balls coated with sesame seed (gur di rewari), peanuts (moongfali), and pop corn. These are also offered to the fire, as an offering for a prosperous harvest season ahead.

In houses that have recently had a marriage or childbirth, Lohri celebrations will reach a higher pitch of excitement. Punjabis usually have private Lohri celebrations, in their houses. Lohri rituals are performed, with the accompaniment of special Lohri songs. Singing and dancing form an intrinsic part of the celebrations. People wear their brightest clothes and come to dance the bhangra and gidda to the beat of the dhol. Punjabi songs are sung, and everybody rejoices. Lohri is a great occasion that holds great importance for farmers as this is the beginning of the harvest season for the winter crops. People residing in urban areas also celebrate Lohri, as this festival provides the opportunity to interact with family and friends.

Among the dying rituals is the visit from the kids from the street, who go door to door singing the Lohri song that tells the adventures of the Abdullah Bhatti (Dulla Bhatti) – Robinhood of Punjab, who led the rebellion against Mughal Empire during the reign of Akbar.

Food is another integral part of the festival. Sarson da saag (mustard green) and makki di roti (flat corn bread) is usually served as the main course at a Lohri dinner. Some of the men wait in long lines at the local sugarcane juicing machines to get the fresh sugarcane juice, which the women use to make a rice pudding (kheer). On January 14, the next day, this rice pudding (generally served with yogurt) for breakfast and lunch to indicate sweet beginning of the new year, and spring season.

Happy Lohri, Everyone !!!

JPS Nagi
January 13, 2014

PS. Some references were used from Wikipedia.

Shiv – The Golden Voice

Shiv Kumar Batalvi is an Sahitya Academy Award (1967) winning poet of Punjabi language. He is known for his romantic poetry for its passion, pathos and the pain of separation. Batala (District Amritsar, Punjab) became his home town in India after the partition, and that also gave him his takhaluss, “Batalvi”. It is said that he had a failed love affair that came out in the form of intense passion and pathos in his writings. He never confirmed these rumors. He tactfully avoided the subject during his interviews.

His poems are very popular among the Punjabi singer on both sides of the border. Jagjit & Chitra Singh, Nusrat Fateh Ali Khan, Surinder Kaur, Assa Singh Mastana, Mahendra Kapoor, Hans Raj Hans, are some of the singers who have brought the birha from Shiv’s songs to the vast audience.

Here, I am presenting some of the rare recordings of Shiv Kumar Batalvi reciting his poems. This is how he meant these to be read, sung, and recited. Click on the links below to play the songs in the browser.

Ek Kudi

Ki Puchdey O Haal Faqiran Da

Shikhar Dupehar Sir Te

The recordings are noisy, as these were converted from ancient All India Radio (AIR) archives. They will sound best with low treble. I am working to clean them up, and will update these.

Please provide comments.

August 2010.

Copyright JPS Nagi