Is “Kalki 2898 AD” a Game Changer for Indian Cinema?

First of all, let me address the fact that I love Pan-Indian Movies and thoroughly enjoyed Kalki 2898 AD. The film’s release has sparked a lively debate: Is it a game changer for Indian cinema?

The discussion reminds me of the transformative impact of Bahubali (1), which marked a significant shift towards Pan-India movies. With each new release, there’s a surge of excitement with phrases like “India’s answer to Hollywood,” “Indian cinema on the global stage,” and “transformative for the Indian film industry” being thrown around.

India boasts a rich history and mythology, providing a wealth of stories to tell. However, the question remains: “Is the world ready to embrace these narratives?” In my view, the answer is not straightforward, and we face several challenges:

  1. Domestic vs. International Appeal: Indian films primarily cater to a domestic audience of 1.3 billion, with international appeal being a secondary consideration. This focus often results in films that may not resonate with global audiences.
  2. Song and Dance Sequences: While beloved by Indian audiences, the ubiquitous song and dance sequences can be off-putting to international viewers. These elements are often seen as interruptions to the storyline. For instance, the dreamy sequence at the Complex in Kalki 2898 AD felt like a diversion designed to showcase some skin rather than advance the plot.
  3. Writing Quality: There is a pressing need for stronger writing talent. Language barriers and cultural nuances impact how jokes and narratives translate across regions. As someone who does not understand or speak Telugu, Tamil, or Malayalam, I hoped that Prabhas’s jokes in the first half of Kalki 2898 AD were better in the original Telugu. In Hindi, they were disappointing. India is full of talented writers; we need to tap into this potential to enhance our storytelling.
  4. Originality and Copyright Issues: Concerns persist about copyright issues, with instances of scenes resembling those from Hollywood films. This can detract from original storytelling. There is a cartoon circulating in WhatsApp groups suggesting that Kalki 2898 AD copies elements from Star Wars, Dune, Mad Max, Transformers, Avengers, and The Matrix. The first comment my American friends made was, “Are those light sabers from Star Wars?” or “Wasn’t the Shambala sequence a copy of Zion from The Matrix?” We must find our unique way of depicting our stories.
  5. Music Composition: Music in films also faces scrutiny for originality and global appeal. While Indian music has a unique charm, it needs to evolve to meet global tastes without losing its essence.

While films like Kalki 2898 AD create spikes of interest and contribute positively to the Indian film industry, they fall short of being true game changers. They highlight the potential and creativity within Indian cinema but do not fundamentally alter the landscape of global cinema.

In conclusion, while Kalki 2898 AD is a step in the right direction and a testament to the potential of Indian cinema, it is not yet the definitive game changer. The journey towards global cinematic dominance requires addressing these challenges and consistently delivering content that resonates universally while retaining our unique cultural essence.

JPS Nagi
July 2024

Lord of the Rings: Rings of Power – Reading Recommendation

With the release of the Amazon Prime show “The Lord of the Rings: Rings of Power” many people are looking to return to, or start reading, the books that started it all. Of course, the main books are The Hobbit, The Lord of the Rings trilogy, and The Silmarillion. Then there are others like the Unfinished Tales. For those who wish to dig deeper into the core of the Middle Earth lore, you have the 12-volume The History of the Middle Earth and the new The Nature of the Middle Earth.

If you are familiar with the material, I have seen a reference guide put together to get you up and running quickly. Below is the list of essential reading to understand the Lord of the Rings: Rings of Power story.

Please do note that the showrunners have rights to limited material from the Tolkien Estate, and the histories (from The Lord of the Rings appendices) do not always tell a story. In order to tell a cohesive story, there are some original characters introduced, timeline compressions, and other adjustments made for the medium of television. In my opinion, I am glad I am living in an age where an attempt is made to bring the world to this medium to bring new people to the journey through the Middle-Earth.

Without further adieu, here is your reading list,

The Lord of the Rings:

  • Volume 1, Book 1, Chapter 2: “The Shadow of the Past
  • Volume 1, Book 2, Chapter 2: “The Council of Elrond
  • Volume 2, Book 4, Chapter 5: “The Window on the West
  • Appendix A, “The Númenorean Kings
  • Appendix A, “Durin’s Folk
  • Appendix B, “The Second Age
  • Appendix D, “The Calendars
  • Appendix F I, “Of Men

The Letters of J.R.R. Tolkien:

  • Letter 131
  • Letter 144
  • Letter 154
  • Letter 181
  • Letter 211
  • Letter 227

The Silmarillion:

  • Part 4: “Akallabêth: The Downfall of Númenor
  • Part 5: “Of the Rings of Power and the Third Age

Unfinished Tales:

  • Part 2, “The Second Age
    • II “Aldarion and Erendis: The Mariner’s Wife
    • III “The Line of Elros: Kings of Númenor
    • IV “The Historv of Galadriel and Celeborn
  • Part 4,
    • I “The Drúedain
    • II “The Istari
    • III ‘The Palantíri

The History of Middle-Earth:

  • Volume 5: The Lost Road
    • Part 1 The Fall of Numenor.
  • Volume 9: Sauron Defeated
    • Part 2 The Notion Club Paners
    • Appendix on Adûnaic, the language of Númenor
  • Volume 10: Morgoth’s Ring
    • Part 4, Athrabeth Finrod ah Andreth
  • Volume 12: The Peoples of Middle-earth
    • Part 1, Ch. 5. The History of the Akallabêth”
    • Part 4 Ch. XVII Tal-Elmar

The Nature of Middle-earth:

  • Part 1, Chapter XVII
  • Part 3
    Many chapters touch on Second Age, directly or indirectly in part 3

There are few things as rewarding as losing yourself in a great book series. With its expansive worldbuilding and complex characters, Tolkien’s Lord of the Rings trilogy is one of those series. If you’re planning on binge-watching the television adaptation or are just looking for background material to expand your knowledge of the lore of the Middle-Earth, you can’t go wrong with the above list.

Happy reading! And Happy Watching.

Update:

J.R.R. Tolkien’s The Fall of Númenor: And Other Tales from the Second Age of Middle-earth book by Brian Sibley & Alan Lee was released on November 15, 2022. You can get it from the link above.
In this book, editor Brian Sibley has assembled a single-volume chronicling the history of the Second Age of Middle-earth. It is told in the words of Tolkien from above mentioned as well as other published texts, includes new illustrations in watercolor and pencil by Alan Lee.
Brian Sibley has also added extensive footnotes and commentary throughout the book.
This is the one book to rule them for the Second Age History of Middle-Earth.

JPS Nagi
Sept. 6, 2022/ Updated Nov. 20, 2022

Marvel Civil War II (2016-2017)

Marvel launched the second Civil War within Marvel Universe last year. The lines were drawn and the sides chosen. And the fight began with Captain Marvel and Iron Man on opposite sides this time. I went through the comics in the main series and all the in between fillers. So here is the list for Marvel’s Civil War II.

Civil War II is a 2016–2017 Marvel Comics crossover storyline built around originally seven, extended to eight and now a nine part series (if you consider The Oath 001) limited series. It ran through almost all other titles published by Marvel. The tagline for the series is, “Choose your Side “

And as usual, here is just a list.
Click here to get a printable check list and reading order.

Marvel’s Civil War (2006-2007)

Marvel Civil WarWith the launch of Captain America: Civil War, my household is now going through devouring the comics of the series. Of course, I was asked the complete reading order of the whole series. And here it is – Marvel’s Civil War.

Civil War is a 2006–2007 Marvel Comics crossover storyline built around a seven-issue limited series of the same name written by Mark Millar and penciled by Steve McNiven, which ran through various other titles published by Marvel at the time. The storyline builds upon the events that developed in previous Marvel crossovers, particularly Avengers Disassembled, House of M, and Decimation. The tagline for the series is, “Whose Side Are You On?”

And as usual, here is just a list.

I addition to the reading order, I also wanted to know,
– Main Event.
– On going comic book series along with the number.

Click here to get a printable check list and reading order.

Marvel’s Secret Wars (2015)

MarvelSecretWars[1]Earlier this year, I got to relive my childhood through my daughter. She got interested in comics.

In 2015, Marvel decided to end their comic book world through Secret Wars. Just like past Secret Wars, the 2015 Marvel’s Secret Wars is also a huge event. During this event, many series will be brought to the end and the genesis of new Marvel Comic Book Universe will take place as a result of that.

We have been getting comics on a weekly basis, but we found that it is a bit difficult to follow without a good reading order. There are websites that do provide reading order, with lot of details about plotlines, ratings and how well does it fit in the timeline. Sometimes … you just want a list. So I decided to make one for ourselves. I spent many hours making this list, and decided this may be useful for others who are in the same boat as us.

I addition to the reading order, I also wanted to know,
– Event within the Secret Wars (for example Main, Last Days, Battle World or Warzones).
– On going comic book series along with the number (for example, The Punisher # 019).

So I created a way to organize name of each entry in the list.Naming

Then I created color coding, so that it is easy for me to quickly pick up the event; this will be particularly useful if I wish to read only the Main Event, or say only the Battleworld.

Click here to get a printable check list and reading order.
This list includes releases up to September 19, 2015. Come back for updated list every week.

Punjab 1984 – Ballewood Arrives !!!

Finally, punjab-1984I watched Punjab 1984. And here is what I think of it. This is an intense movie. The performances were good. There is a triangular conflict in the movie; Diljit shows great potential as an actor in the new generation. Pawan Malhotra, who is main antagonist in the movie, fits the role like a glove; his grins, smiles and expressions makes you hate the character, which shows how good job he is doing with the role. And the third apex of the triangle is played by Kiron Kher as a mother; she pretty much carries the movie on her shoulders. She is relatable as a mother, and portrays a very complex role with ease of an experienced actress (which she is). Diljit and Kiron’s scenes of a other-son bond are a treat to watch. The dialogues are very well written – they work at the surface level and also at a deeper emotional level. I also loved how the writers treated the story; the topic is extremely sensitive, and the treatment is excellent – instead of targeting a group, religion, or pointing fingers, it is a human story – rising above the limits and boundaries. It is a story of a mother looking for her son, who because of circumstances ends up at odds with the then prevalent law of the land. The story moves back and forth in time with flashback, which are very well edited.  It is a coming of age story of a son, who makes some choices under circumstances, and traces his path to redemption. It is the story of a man cornered, and how he stand against the ones who cornered him. If you are one of those folks who do not like the fact that Indian movies have music where the whole casts stops and start lip syncing to the song and dance to the tune, then you are in for a treat. Music of this movie adds layers to this movie. The songs are playing in the background, and they take the story forward. They are all situational, and most of the time, you will not even realize that you a song just started. They are essential and compliment the progression of the story. Watch out the lyrics for Swaah Ban ke, Lori and Ammi Udeek Di – they bring the sensitivity of poetry to this movie. they will bring a year or two to your eyes. The lighter songs Channo, Rangrut keep the happier parts of the story happy. Kudos to the music directors; yes there are few. And then there is Anurag Singh, the director. I have to say, I am impressed. He has proven to be one of the better directors in Punjabi Film Industry and deserves all the laurels to get the kind of performances he got out of the actors, and to keep the heart of the movie alive throughout on such a subject. With this movie he proves his range from being able to handle movies like Jatt & Juliet series (which were OK, I think) to a serious drama like Punjab 1984; and he does not misses a beat. This is his crowning glory so far. The movie is intense, emotional, and a tear jerker. Get ready with those tissues, and think about the questions raised by this movie, which are many. Lastly, story, scenes, and cinematography reminded me of Maachis (another well rounded director Gulzar) throughout the movie. It feels like either a homage in style or deeply inspired by it. I had to go look for the Maachis DVD after watching Punjab 1984. All in all it is good movie. I would call it 9/10 on the scale of good dramas. Go watch it ! JPS Nagi July 2, 2014

We’re more than animals …

Remember those classic Sci-Fi stories you used to read as a kid where robots are alive and they have turned evil.
Robopocalypse brought those memories back for me!

Daniel H. Wilson’s Robopocalypse is man-versus-machine tale – the story of how the robots turn against the humans. The author weaves a modern and plausible tale, which can happen in next 20-30 years, considering how many smart machines we have in our lives.

The robotic apocalypse is orchestrated by a single central super computer, Archos, who takes humanity by surprise all around the world. Archos takes control over the entire ensemble of machines in the world – smart phones, smart cars, bi-peds, domestic robots, telephones, satellites, machines – anything that has a computer or controller in it. And they start to work against human civilization and start evolving (the learning bots).

The entire novel is in flashback and told from points of views of several survivors from across the world. These survivors start to work on their own in Tokyo, Afghanistan, London, New York, and Oklahoma. As the story progresses, homo sapiens find ways to collaborate against the single enemy that they have created.

The story works at many different levels. Part 1 is grim as humans start to suffer, but engaging. As the story progresses, the action starts to come in. Then the survival instincts kick in, and finally collaboration. But more importantly, it is a tale of humanity and how pressure brings the best (mostly) and worst in people.

I enjoyed the book, because it brings back memories of the Isaac Asimov’s Three Laws of Robotics, the stories I grew up with and stories that fired my imagination as a kid.

This is also the first book I have read that is written in this style – each chapter is written in first person perspective of different characters. You can open any chapter in part 1 or part 2 of the book and read it. It is later, that all these threads start to come together. Many reviewers mention that this style has been used in few other books, but this was my first book in this style, and I enjoyed it a lot.

Daniel H. Wilson is a Robotics Engineer, a television host and a PhD. So many of the robots used in Robopocalypse are based on (or variant of) real world robots that exist today.

The audiobook is read by Mike Chamberlain who takes the book to whole another level. He changes accents based on the character being a Texan oil driller, a British telephone hacker, or a Native American from Okhlahoma among the few. A very well done audiobook. Available from Audible.com.

I enjoyed this book a lot, a fun to read, and to listen. I recommend this book to anyone who is a fan of science fiction or to anyone who enjoys reading.
It is available from all major resellers as a book or an eBook.

Lastly, you may want to read this book before Steven Spielberg’s movie based on Robopocalypse comes out in 2013.

Check out Daniel H. Wilson’s blog.

Here is Daniel H. Wilson’s interview on YouTube.

Copyright JPS Nagi
July1, 2011.

Mughal-e-Azam completes 50 years

K.Asif’s Magnum Opus … Mughal-e-Azam. The movie that took more than 20 years in making.
A milestone for Indian Film Industry, with production costs Rs 15 million (this was when a normal film would cost around Rs 1-1.5 million), it broke all records. The tickets sold for 100 rupees, back when the cost of a single ticket was 1.50 rupees. Today, the movie of this value will cost more than Rs 150 Crores ($33M).

The music, the story, the cast, the dialogues – every aspect of the movie was giant. Bollywood’s biggest period extravaganza. Although the orginal movie was black & white (with some colored parts), the movie was colorized recently with the sound converted and re-recorded in Dolby Digital. The new producers brought together the new crew who worked to make it happen, with some of the original cast and crew.

It brought back memories for many movie-goers, and they flocked back to theaters.  Also introduced the next generation to the movie that was, and the movie that is.

Recently, NDTV did a special on the movie as it completed 50 years on August 5, 2010. Here is the special (you would need Adobe Flash to play).

August 14. 2010

JPS Nagi